Strange Tales #108: It's... ASBESTOS!!! 12

Plot: Stan Lee

Script: Robert Bernstein

Art: Jack Kirby

Inking: Dick Ayers

Lettering: Terry Szenics

In amongst all this talk of magical paint that allows the user's imagination to come to life when used, it's been pretty much overlooked that this is not the Painter's greatest asset. And no, I'm not talking about his moustache.

Wilhelm van Vile's greatest asset is his ability to paint complete scenarios in a matter of seconds. At no point in the story is it mentioned that he can paint a picture then will it to life at a later point. So, we have to assume that the animated mascots came to life, at which point he started painting an asbestos cell along with members of the Fantastic Four. As this springs up within a page, he must have been daubing away like the devil to get it done in time.

No wonder his attention to details is a little shaky!

Check out our coverage of Strange Tales #108 on our twelfth episode: HYPNOFISH!!!

[audio http://traffic.libsyn.com/ffcast/FF_Episode_12.mp3]

Strange Tales #108: Flame On 34

Plot: Stan Lee

Script: Robert Bernstein

Art: Jack Kirby

Inking: Dick Ayers

Lettering: Terry Szenics

We seem to come across them on almost every page of the comics we're currently covering on the show, but earlier in the run of the show, these widescreen panels by Jack Kirby were a real rarity. It's great to see him stretch what he can portray in the space of a panel, and this shot of carnival mascots coming to life is really rather fun to look at.

Unfortunately, this is also the point where both the plotter and the scripter forget everything established about The Painter so far in the book. It is spelled out pretty darn clearly that The Painter paints something, and it appears. Here, The Painter uses his powers to somehow animate an already-existing object. Is he painting fast enough to literally animate them? It's a very inconsistent approach to the villain.

Anyway, the point of this post is to catalogue yet another Flame On from Johnny, and here, letterer Terry Szenics treats it almost as an afterthought, extruding the out of the speech balloon and into the sky. Again, it's different, but not quite right.

Check out our coverage of Strange Tales #108 on our twelfth episode: HYPNOFISH!!!

[audio http://traffic.libsyn.com/ffcast/FF_Episode_12.mp3]

Strange Tales #108: Flamin' 'Eck 21

Plot: Stan Lee

Script: Robert Bernstein

Art: Jack Kirby

Inking: Dick Ayers

Lettering: Terry Szenics

It's flashback time at the Fantastic Flame On. The villain of the piece - The Painter, aka Wilhelm Van Vile - is relating his multi-part origin to the gang of crooks that he's taken up with. Unluckily for him, his origin involves trying to pass off his dodgy counterfeit banknotes on a teenage boy in a bookstore, taking him hostage when his forgeries fail. Why unluckily? Because that young man was none other than The Human Torch.

So, at the flashback-crooks' hideout, Johnny reveals himself and restrains the criminals in a hoop of fire. Once again, Johnny decides that his fire is substantial and self-renewing enough to provide an extended period of incarceration. And, once again, those caught in his fiery prison believe this as well.

Fools.

Check out our coverage of Strange Tales #108 on our twelfth episode: HYPNOFISH!!!

[audio http://traffic.libsyn.com/ffcast/FF_Episode_12.mp3]

Strange Tales #108: Flamin' 'Eck 20

Plot: Stan Lee

Script: Robert Bernstein

Art: Jack Kirby

Inking: Dick Ayers

Lettering: Terry Szenics

Oh dear. Four posts from three pages of material. I suspect Strange Tales #108 is going to divert our attention for a while...`

Is it me or is there something ridiculously archaic about robbing a masked society ball, stuffing the loot into oversized bags that really need to have the word 'swag' written on them? It reminds me somewhat of the Dennis Moore sketches in Monty Python's Flying Circus. (Skip to 5:50 for the exact scene, but the entire sketch is a blast)

http://www.youtube.com/watch?v=qLkhx0eqK5w

Anyway, Johnny deals with these crooks in the only logical way - using his flame as giant scissors to gut the necks of the sacks. Not burn them. Cut them. Now, if you'll excuse me, I'm off to suppress a rant about the physical properties of fire...

Check out our coverage of Strange Tales #108 on our twelfth episode: HYPNOFISH!!!

[audio http://traffic.libsyn.com/ffcast/FF_Episode_12.mp3]

Strange Tales #108: Flame On 33

Plot: Stan Lee

Script: Robert Bernstein

Art: Jack Kirby

Inking: Dick Ayers

Lettering: Terry Szenics

A page later and we're seeing almost the same thing as we did yesterday. The Human Torch flies into action in a great piece of posing by Jack and Dick, threatening to burst out of the page and right at the reader. We get the same, spikily-rendered 'Flame On' catchphrase as well.

I suggested yesterday that the unusual style of lettering didn't fit with the house style at Marvel, and I think you can really see this with the little kid in the panel. I can't really think of any lettering like it in Marvel at this time. The uneven line, the exclamation marks near-bursting with energy. It's all actually rather appropriate for a fast-paced, throwaway tale full of action, but it does read uncomfortably when compared to the contemporary efforts of Art Simek and Sam Rosen.

Check out our coverage of Strange Tales #108 on our twelfth episode: HYPNOFISH!!!

[audio http://traffic.libsyn.com/ffcast/FF_Episode_12.mp3]

Strange Tales #108: Flame On 32

Plot: Stan Lee

Script: Robert Bernstein

Art: Jack Kirby

Inking: Dick Ayers

Lettering: Terry Szenics

It's business as usual in the town of Glenville. Or is it Glendale? Two months-or-so after we finished covering Strange Tales, I really can't remember. And I really can't be bothered to look it up either. Anyway, a truckload of precious furs has been stolen, which begs the question - what building or establishment in Glenville/dale sold or manufactured enough furs of a previous variety that they could fill a van full? Yes, I know it's a shorthand trope to draw Johnny into action as quickly as possible, but still...

Anyway, new letterer Terry Szenics - the first credited female in Marvel super-hero comics - gives us something a little different with her rendition of Johnny's catchphrase. Note the spiky arms on the 'F' and 'E', contained in a rare spiky speech bubble. Such things were not in vogue at Marvel, and went against the house style, which may explain why she never joined the ranks of Silver Age Marvel letterers (well, both of them at least...)

Check out our coverage of Strange Tales #108 on our twelfth episode: HYPNOFISH!!!

[audio http://traffic.libsyn.com/ffcast/FF_Episode_12.mp3]

Strange Tales #108: It's... ASBESTOS!!! 11

Plot: Stan Lee

Script: Robert Bernstein

Art: Jack Kirby

Inking: Dick Ayers

Lettering: Terry Szenics

It's a lovely big splash page today, showcasing the terrible Painter's terrible facial hair, second only to the Wizard!

And it's not only crap face-fuzz that the Painter has stolen from the Wizard - he's also stolen his asbestos-lined cell. I thought it had been made pretty clear already that such tactics don't really work - both the US Army and the Wizard have found their inescapable fireproof cells to be anything but.

Check out our coverage of Strange Tales #108 on our twelfth episode: HYPNOFISH!!!

[audio http://traffic.libsyn.com/ffcast/FF_Episode_12.mp3]